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Henrik Plenge Jakobsen (born 1967 in Copenhagen, Denmark) is a Danish conceptual artist, who works in a variety of media, from sculpture and installation art to performance art and public intervention. He has studied at the Royal Danish Academy of Art, Copenhagen, Denmark, from 1987–94, École nationale supérieure des Beaux-Arts and Institut des Hautes Etudes en Art plastique, Paris, France, from 1992-93. Henrik Plenge Jakobsen lives in Copenhagen. == Work == Plenge Jakobsens project is socio-critical in the sense that he examines and discusses political, economical, cultural and social structures forming the foundation of modern life. Like the Situationists, he is interested in finding a meaningful art form capable of defining a place in the public space, while directly making use of everyday institutions. His project does not seek to cannibalize reality but to incorporate reality into the work itself. His work is radical exactly because it insists on the work’s real presence rather than interrogating the foundation of reality. For Plenge Jakobsen, art and reality are not separate spheres that can be temporarily forced together. Existing in the world, art represents one of the realities that constitute life. Henrik Plenge Jakobsens work can be described as a configuration of visual elements in spatial arrangements, often involving an additional element of action or performance. Many of his works combine sculptural elements and objects in a plastic display positioned between sculpture and installation. Differing from the theatrical and systemic, “total” form of classic installation art. Plenge Jakobsens installation stratagems are based on a more unrestrained, flexible arrangement in which the room is merely an arbitrary architectural frame rather than a meaningful collaborator.〔Marianne Torp: ''All that is Solid Melts into Air'', Henrik Plenge Jakobsen: ''J’accuse'', Pork Salad Press, 2006, pp. 4-13〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Henrik Plenge Jakobsen」の詳細全文を読む スポンサード リンク
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